Scene 3

	On the screen an apartment complex is seen, and Woodward is shown coming out on his balcony, and looking out into the distance. He moves a flowerpot with a red flag inside from one end of his balcony to the other, and walks back inside his apartment. 

Woodward:	<sits at his typewriter, types nothing, lets out a sigh, and goes to the back of his apartment to take a shower.>

	As the shower is turned on a man whos face is unseen walks by the apartment complex, and looks into the window of Woodward's apartment, noticing the red flag. He then walks near the building, and disappears.

	Camera switches to back inside the apartment once again, and Woodward comes out of the shower, dries himself off, and sits back down at his typewriter with only his towel, and begins to write what seems to be a headline but it is unreadable. He then begins to get dressed, and after this opens the door to his apartment, and picks up his daily paper, flips through it, and notices a circle on one of the corners of the pages. (It looks like a clock pointing to the hour of three). 

Woodward:  Humm  <He flips the paper back to the beginning and notices the front page story.> 

	The camera pans into the newspaper

Scene 4

	On the newspaper the headline says "5 Held in Plot to Bug Democrats' Office Here" and the date of June 18th, 1972 can be seen in the corner of the paper. A narrator begins to read as the paper pans into the camera and continues to zoom in on the words being read.

Narrator:	Five men, one of whom said he is a former employee of the Central Intelligence Agency, were arrested at 2:30 a.m. yesterday in what authorities described as an elaborate plot to bug the offices of the Democratic National Committee here.

	The screen flashes white with a loud camera noise, and the scene flashes back to the previous day. It seems like a bright day and everyone is in the offices, and as they are all leaving, one man places tape on the lock of the door discretely as he walks out, almost in a magician like manner. The door shuts, and the the noise of the busy day quiets. Later on a man comes in, and looks at the tape and takes it off, thinking it was the janitors. Another man comes in what seems like several hours later and the tape is replaced. Later on the worker who previously noticed the tape sees it again, and is seen making a phone call. The now dusky room turns to night and the door becomes a dark navy blue and the camera is still. Suddenly footsteps are heard and shadows can appear behind the door, and the door is opened with ease. The screen flashes back to the paper.
	
Narrator:	Three of the men were native-born Cubans and another was said to have trained Cuban exiles for guerrilla activity after the 1961 Bay of Pigs invasion.

	Camera flashes back and five men enter the room and start going to work. Two men tamper with bugs in two phones, and with bugs in two offices, and quietly ruffling through papers, the others take many photographs of the offices and documents. The shots are very dark and the viewer cannot really tell exactly what is happening due to lack of light. Some talking can be heard, but it is very unrecognizeable, aside from the fact that three of the men have cuban accents. It seems like the job is finished and they clean up their work and leave. The screen flashes back to the paper.

Narrator:	They were surprised at gunpoint by three plain-clothes officers of the metropolitan police department in a sixth floor office at the plush Watergate, 2600 Virginia Ave., NW, where the Democratic National Committee occupies the entire floor.

	Camera flashes back as the narrator finishes the word "Watergate" and the men are seen being in arrested in a dark hotel hallway and completely suprised by the fact that the police were ready for them. It seems they know what is in store for them by the look on their faces, but no words are said by them except the one of the police officers telling them to put their hands on their heads and freeze. The screen changes to a view of the men being taken down to the bottom of the hotel and wheeled away to custody.

Narrator:	There was no immediate explanation as to why the five suspects would want to bug the Democratic National Committee offices or whether or not they were working for any other individuals or organizations. 

	Camera fades to black.

Scene 5

	It is later that night and camera pans to the Key bridge in Rosslyn. The camera changes to a scene inside a musty concrete car garage that is poorly lit, and inside it Woodward is seen looking at his watch. As he puts his hand to his side the camera pans and zooms to the watch and it reads 3:02. It then zooms back out onto Woodward who greets a man covered in shadows, and unknown to the audience, who has no voice thus far. 

	The camera changes shots from a close up of Woodward and Deep Throat to a far away view from the corner of the garage. The men are talking, but cannot be heard because the camera is right near a ventilation van, and cars can be heard on the outside of the building. The gestures and figured of both men are partially covered by cement pillars in the garage. The men continue talking for about 10 seconds until they both leave, and the camera fades to black.

Scene 6

	Camera goes to Woodward's apartment. He comes home from the meeting, and sits at his desk. He pulls out the previously written headline, crumples it up, and throws it away at the wall. He puts in a new sheet of paper and types "GOP Security Aide Among Five Arrested in Bugging Affair" as the new headline. He breaks and picks up his phone, and dials a number.

Bernstein : <over the phone> Hello?

Woodward : Bernstein it's me.

Bernstein : <over the phone> Ohh... did you meet with him?

Woodward : Yes, and I'm making a writeup now. I will talk with you later this morning in the office.

Bernstein : <over the phone> Alright great, goodnight.

	Woodward puts down the phone, and pauses for a minute. He then looks at the page, and begins to type: "One of the five men arrested early Saturday in the attempt to bug the Democratic National Committee headquarters is the salaried security coordinator for President Nixon's reelection committee." as he whispers the words to himself, being a narrator for himself. He stops after this sentence, and turns to his notebook where he writes down several notes, before walking to his bed and falling asleep without getting under any blankets. His alarm clock shows "4:08".

	The camera fades to black and then comes back again several seconds later with the alarm clock in view showing "4:15" and making a loud, beeping noise. 

Woodward : Ughhhh <Gets up from his bed, and picks up his coat.>

	Woodward leaves his apartment, and gets into his car, to begin his drive to the Post.

Scene 7

	Woodward walks into his office at the Washington Post, and sees his partner Bernstein already there. He closes the door to his office, and the camera is outside the office looking in through the window. The men exhange a short conversation, standing up, before Woodward gets behind his desk, and Bernstein walks behind his shoulder. They type at a typewriter together hurriedly, as if their deadline for the story was within minutes.